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Main Hall Gallery 

 Main Hall Gallery Exhibits - 2014

January 4 - February 1, 2014 -
"Race, Class & Blue Collar"
3d Mixed Media Sculpture
Kyle and Kelly Phelps

Curated by Ms. Bettye Stull

Opening Reception: January 4, 7-9pm

February 8 - March 8 

"bud & rot"
Dana Lynn Harper and Erin McKenna
Sculpture, Video, & Installation

Opening Reception: February 8, 6-8pm

March 15 - April 12  

"Autism: A Mexican Adventure"
and other works by Craig Matis


Opening Reception: March 15, 6-8pm

April 19 - May 24
"Happy Together"
Adam Brouillette + Meghan Kwast

May 30 - June 21 - CAC Student/Faculty Exhibit

June 28-July 26

Boryana Rusenove Ina

August 1 - August 30 -

Lynda McClanahan
Enamel Oil Painting

September 5 - October 4

Christine Guillot Ryan
2d Mixed Media

October 11 - November 8 


Jim Arter

November 15 - December 27  -

Hollow Form: the space within"

A juried vessle show 

Devon Palmer

Gallery Hours:

Monday                      1pm-4pm & 7pm-10pm
Tuesday-Thursday       9am-4pm & 7pm-10pm
Friday & Saturday        9am-4pm
Sunday                       Closed


Interested in exhibiting in the Center's
Main Hall Gallery?

Click here to view "Exhibit Proposal Guidelines"
Go to Loft Gallery

Robert Lynch on the arts:

"...Increasingly, technology is a communications tool. And, as such, it represents an opportunity for arts groups...."  Philanthropy News Digest, October 4, 2010

 Art Is "America's Secret Weapon for Positive Change" Truthout Interview, July 28, 2013

Not only are the arts inherently valuable in and of themselves, but they also are valuable to the economy, to jobs, to youth at risk, to crime reduction, to community development, and many, many, other areas. If you make these connections well, it also creates a climate in which the arts themselves can thrive." NPR’s “The Record”, January 09, 2012

“Every dollar of N.E.A. funding generates $9 of non-federal money to the arts, and the nonprofit arts industry generates 4.1 million jobs.” Excerpt from a letter by Robert Lynch and Robert Redford to the New York Times, Feb. 11, 2014

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